Coverart for item
The Resource Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art, edited by Jaynie Anderson

Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art, edited by Jaynie Anderson

Label
Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art
Title
Crossing cultures
Title remainder
conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art
Statement of responsibility
edited by Jaynie Anderson
Creator
Contributor
Subject
Genre
Language
eng
Summary
Annotation pending
Cataloging source
ANL
Dewey number
700.9
Illustrations
  • illustrations
  • facsimiles
  • maps
Index
index present
Literary form
non fiction
http://bibfra.me/vocab/lite/meetingDate
2008
http://bibfra.me/vocab/lite/meetingName
International Congress in the History of Art
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Anderson, Jaynie
  • International Committee on the History of Art
http://library.link/vocab/subjectName
  • Art
  • Art and globalization
  • Art and society
Label
Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art, edited by Jaynie Anderson
Instantiates
Publication
Note
"Comité International d'Histoire de l'Art, CIHA, The University of Melbourne, 13-18 January 2008"
Bibliography note
Includes bibliographical references and index
Contents
A Melbourne conversation at the Town Hall on Art, Migration and Indigeneity: what happens when cultures meet? -- Creating perspectives on global art history : The art of being Aboriginal / Marcia Langton -- Ar histories in an interconnected world: synergies and new directions -- The idea of world art history -- Methodological and ideological perspectives -- Empirical perspectives -- Fluid borders: Mediterranean art histories -- Hybrid renaissances in Europe and beyond -- Cultural and artistic exchange in the making of the modern world, 1500-1900: George French Angas: colonial artist at large / Philip Jones -- The wanderer, the slave and the Aboriginal: Augustus Earle in Rio de Janeiro and Sydney in the 1820s -- Representations of nature across cultures before the twentieth century -- The sacred across cultures: Holy topographies: Aboriginal art from the desert regions and its spiritual relation to Western perceptual painting / Robert Nelson -- "God is love" : representations of Christianity in Indigenous art from Ngukurr, South-East Arnhem Land / Cath Bowdler -- Sacred country: ancient footprints, new pathways / Donna Leslie -- Materiality across cultures: Outsiders' and Arnhem Landers' material exchanges / Louise Hamby -- Memory and architecture -- Art and migration -- Art and war -- Art and clashing urban cultures: urban bush bashing?: some Indigenous artists' responses to the Australian Government's Emergency Intervention in the Northern Territory / Susan Lowish -- Global modern art: the world inside out and upside down -- Indigeneity / Aboriginality, art / culture and institutions: Introduction / Jonathan Mane-Wheoki -- Belonging and homelands: negotiating identity in Aotearoa, New Zealand / Caroline Vercoe -- Between the Indigenous and the exotic: landscapes of Hokkaido and the Russian Far East / Hisashi Yakou -- The reclamation of South-East Australian Aboriginal arts practices / Vicki Couzens -- Indigenous material culture in the digital age / Lyndon Ormond-Parker -- "My art talks about link" : the peregrinations of Yolngu art in a globalised world / Jessica de Largy Healy -- Performing landscape and memory: Gija local and global art circulation / Arnaud Morvan -- Postcolonial pasts and post-Indigenous futures? a critical genealogy of museum and "maori art" / Conal McCarthy -- Indigeneity and the museum paradigm: contexts and debates surrounding the opening ceremonies and exhibitions at the National Museum of the American Indian in Washington D.C., September 2004 / Stephanie Pratt -- A crisis of identity: Australian Indigenous culture, primitivism and modernism in "recent Australian painting" at the Whitechapel Art Gallery, 1961 / Sarah Scott -- Circuit breaking?: Indigenous Australian art and critical discourse / Julie Gough and Stephen Naylor -- Aboriginalities and nationalities: shaping art history in the postcolonial Museum / Anne Whitelaw -- Parallel conversions: Asian art histories in the twentieth and twenty-first centuries -- Contemporary art and its history: Historicity and Aboriginal art: how long will it take for Aboriginal art to become modern? / Ian Maclean -- New media across cultures -- Economies of desire: art collecting and dealing across cultures : the impact of unscrupulous dealers on sustainability in the Australian Aboriginal desert paintings market: a view from the high end / Meaghan Wilson-Anastasios -- A fine romance: white money, black art / Philip Batty -- New museums across cultures: Constructing tribal architectures and identities in native american museums and cultural centres / Anne L. Marshall -- Creating cultural citizenship out of contemporary art at the National Museum of the American Indian? / Kylie Message -- Repatriation
Control code
000043747756
Dimensions
28 cm.
Extent
xviii, 1108 p.
Governing access note
Not for Inter Library Loan
Isbn
9780522855005
Isbn Type
(hbk.)
Other physical details
ill. (chiefly col.), facsims., maps, ports
System control number
(OCoLC)299023189
Label
Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art, edited by Jaynie Anderson
Publication
Note
"Comité International d'Histoire de l'Art, CIHA, The University of Melbourne, 13-18 January 2008"
Bibliography note
Includes bibliographical references and index
Contents
A Melbourne conversation at the Town Hall on Art, Migration and Indigeneity: what happens when cultures meet? -- Creating perspectives on global art history : The art of being Aboriginal / Marcia Langton -- Ar histories in an interconnected world: synergies and new directions -- The idea of world art history -- Methodological and ideological perspectives -- Empirical perspectives -- Fluid borders: Mediterranean art histories -- Hybrid renaissances in Europe and beyond -- Cultural and artistic exchange in the making of the modern world, 1500-1900: George French Angas: colonial artist at large / Philip Jones -- The wanderer, the slave and the Aboriginal: Augustus Earle in Rio de Janeiro and Sydney in the 1820s -- Representations of nature across cultures before the twentieth century -- The sacred across cultures: Holy topographies: Aboriginal art from the desert regions and its spiritual relation to Western perceptual painting / Robert Nelson -- "God is love" : representations of Christianity in Indigenous art from Ngukurr, South-East Arnhem Land / Cath Bowdler -- Sacred country: ancient footprints, new pathways / Donna Leslie -- Materiality across cultures: Outsiders' and Arnhem Landers' material exchanges / Louise Hamby -- Memory and architecture -- Art and migration -- Art and war -- Art and clashing urban cultures: urban bush bashing?: some Indigenous artists' responses to the Australian Government's Emergency Intervention in the Northern Territory / Susan Lowish -- Global modern art: the world inside out and upside down -- Indigeneity / Aboriginality, art / culture and institutions: Introduction / Jonathan Mane-Wheoki -- Belonging and homelands: negotiating identity in Aotearoa, New Zealand / Caroline Vercoe -- Between the Indigenous and the exotic: landscapes of Hokkaido and the Russian Far East / Hisashi Yakou -- The reclamation of South-East Australian Aboriginal arts practices / Vicki Couzens -- Indigenous material culture in the digital age / Lyndon Ormond-Parker -- "My art talks about link" : the peregrinations of Yolngu art in a globalised world / Jessica de Largy Healy -- Performing landscape and memory: Gija local and global art circulation / Arnaud Morvan -- Postcolonial pasts and post-Indigenous futures? a critical genealogy of museum and "maori art" / Conal McCarthy -- Indigeneity and the museum paradigm: contexts and debates surrounding the opening ceremonies and exhibitions at the National Museum of the American Indian in Washington D.C., September 2004 / Stephanie Pratt -- A crisis of identity: Australian Indigenous culture, primitivism and modernism in "recent Australian painting" at the Whitechapel Art Gallery, 1961 / Sarah Scott -- Circuit breaking?: Indigenous Australian art and critical discourse / Julie Gough and Stephen Naylor -- Aboriginalities and nationalities: shaping art history in the postcolonial Museum / Anne Whitelaw -- Parallel conversions: Asian art histories in the twentieth and twenty-first centuries -- Contemporary art and its history: Historicity and Aboriginal art: how long will it take for Aboriginal art to become modern? / Ian Maclean -- New media across cultures -- Economies of desire: art collecting and dealing across cultures : the impact of unscrupulous dealers on sustainability in the Australian Aboriginal desert paintings market: a view from the high end / Meaghan Wilson-Anastasios -- A fine romance: white money, black art / Philip Batty -- New museums across cultures: Constructing tribal architectures and identities in native american museums and cultural centres / Anne L. Marshall -- Creating cultural citizenship out of contemporary art at the National Museum of the American Indian? / Kylie Message -- Repatriation
Control code
000043747756
Dimensions
28 cm.
Extent
xviii, 1108 p.
Governing access note
Not for Inter Library Loan
Isbn
9780522855005
Isbn Type
(hbk.)
Other physical details
ill. (chiefly col.), facsims., maps, ports
System control number
(OCoLC)299023189

Library Locations

    • Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS)Borrow it
      51 Lawson Cres, Acton, ACT, 2601, AU
      -35.292556 149.118617
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